PC and Music News

Shure is expanding the SM microphones line with the introduction of the SM27 and SM137.

The SM27 is a rugged and versatile large-diaphragm, side-address cardioid condenser microphone designed to pick up the nuances of vocals and instruments with clarity. This microphone has a one-inch ultra-thin Mylar diaphragm for superior transient response, exceptional low frequency reproduction, and a low self-noise (9.5 dB SPL) to reveal fine detail when recording or during live performance. The SM27 offers lower self-noise and improved dynamic range specifications over the KSM27 model that it replaces.

The SM137 is a cardioid probe microphone for instrument recording applications. The SM137 employs an ultra-thin diaphragm for smooth high end and tight, controlled low end. Its 15 dB attenuator enables it to handle sound pressure levels as high as 154 dB SPL, for consistent reproduction of delicate acoustic as well as high-volume amplified instruments. The SM137 replaces the KSM109 model.

The SM27 ($299 retail / $460 MSRP) and SM137 ($179 retail / $236 MSRP) microphones will be available in March 2009 and will carry a two-year limited warranty.

Tonehammer has released a new Kontakt-based instrument : Didgeridoo.

The Didgeridoo (aka Didge) is an Australian Aboriginal wind instrument dating back over approx.1500-2000 years. The instrument is made from Eucalyptus blogs hollowed out by termites and is widely regarded as one of the oldest woodwind (aerophone) instruments in existence. Tonehammer recorded two different Didges for maximum user flexibility. The first one is an original Eucalyptus log and the second one is a modern version made from PVC pipes.

The library contains over 400MB of samples and the programs contain modwheel controlled timestretching and sample offset options allowing users to get more flexibility out of the samples. The Didges come at two different mic (close/medium) distances and a far mic for the dual-didge FX group. Didge 1 is close mic and Didge 2 is medium mic.

Didgeridoo is available now with an MSRP of $39 and requires Native Instruments Kontakt 2.2.4+. Note that audio examples are also available at :

IZotope has released the long-awaited version 4 of its software mastering suite : Ozone.

Ozone 4 builds on the program's reputation for high sound quality and industry-standard mastering tools with new innovations and refinements. iZotope has updated and expanded Ozone's processing algorithms, optimizing them for today's low-latency DAW environments. Ozone 4 features a new Intelligent Loudness Maximizer mode, mid/side processing for superior control over the sound stage, hybrid crossovers, a re-designed interface and a completely updated preset manager featuring innovative MacroPresets. In addition, numerous interface improvements and ease-of-use additions make Ozone even more accessible to musicians who want to quickly finalize their projects, while also offering precise tools for professional engineers.


Key Features :

- Integrated mastering system combining analog warmth and digital precision.
- Seven essential mastering processors in one integrated plug-in.

Following the footsteps of its gorgeous FAT HEAD ribbon microphone, Cascade Microphones is now shipping the C77.

Described as the perfect fusion of vintage design and modern ribbon technology, the C77 comes loaded with a Lundahl 2913 transformer, Evidence Audio copper wiring, a custom circuit board, and a Switchcraft XLR connector. The C77 features a symmetrical ribbon design and is assembled at the Cascade lab located in Olympia WA.

The C77 is available now at a price of $499.

EastWest is offering users additional control over the company's PLAY-Powered instruments with the introduction of PLAY PRO (formerly PLAY 2.0), which adds editing capabilities to these collections.

Available as a paid download from the company's website, the "editor" featured PLAY PRO provides user programming and scripting through the included Python programming language. The editor can be used in standalone or plug-in mode so users can gain complete control over all parameters in all their PLAY instruments.

This editor includes high-quality effects including convolution reverb, automatic double tracking (ADT), and more. In addition to having control over PLAY-based collections, users can import their own samples and create their own PLAY instruments with intuitive sample mapping and other powerful editing features.

For easy access, all filters and controllers can be viewed on a single page through the "effects and modulators" section. Extensive routing options include 4 effects send, an insert bus and even side-chaining for each instrument.

PLAY PRO's mapping editor can be used to adjust key and velocity range, root key, volume tune and pan. Through the editor, users can adjust sample start and end times (the editor only allows for changes to start and end times, not the actual samples themselves). Loop manager gives users control of multiple loops, including start and end times, count and crossfade. Users can also add release trails and control release trail damping so they blend perfectly.

PLAY PRO will be available in March 2009 for a fee of $299 / €149.

As we told you yesterday, FabFilter Twin 2 is out. Here are some more details about its features :

- Three oscillators with sawtooth, square, triangle, sine, and pink/white noise wave forms, ring modulation, hard sync, pulse width, phase sync, stereo panning and polyphonic portamento
- Two independent multimode filters with 11 different filter characteristics
- On-board delay effects section with two delay units and two extra multimode filters in the feedback loop
- Clean and uncluttered interface that only displays the components that are actually in use
- Drag-and-drop modulation system that lets you modulate almost any setting with the following modulation sources:

. Up to 4 XY controllers
. Up to 6 XLFOs offering everything from classic LFO shapes to 16-step programmable s ...