PC and Music News

Native Instruments has just released Kontakt Retro Machines, the latest addition to its Kore Soundpack range of sound libraries for Kore 2 and the free Kore Player.

Based on material from the Kontakt 3 factory library, Kontakt Retro Machines offers an essential collection of charismatic vintage instruments that were formative for many electronic music genres of the past decades. This includes various classic synthesizers as well as several sought-after drum machines, with their creative potential maximized through the powerful capabilities of the Kore platform.

Native Instruments is determined to firmly establish the Kore Soundpacks line as the most valuable, diverse and inspiring range of sound material for studio and stage, and will release a substantial number of additional libraries over the course of 2008.

Kontakt Retro Machines is now available for download purchase in the NI Online Shop for $59 / €49.

Prism Sound will be exhibiting at AES Amsterdam with its newly upgraded Orpheus Firewire interface, which now allows users to convert their audio inputs to ADAT outputs and vice versa. Users will be able to connect the new and improved Orpheus directly to a variety of DAWs, including Pro Tools LE.

The upgraded Orpheus units incorporate an AV/C model that behaves as ADAT Send & Return, but also works when the Firewire cable is connected. This provides users operating in DAW mode with pure audio conversion. Launched in 2007, Orpheus is a 1U, 19-inch rackmount 192kHz-capable unit, offering eight simultaneous balanced analogue inputs, four line-level jack ins and four auto-sensing mic/line Neutrik combo jacks that will accept either jack or XLR connectors. Built-in mic preamps allow the signal at the mic-level inputs to be boosted by up to 60dB (in 1dB increments), and each analogue input has its own adjustable patented Prism Sound Overkiller built in, to prevent signal overloads before the A-D conversion stage.

The SAE Alumni Association is pleased to announce the start of the submission period for the 4th SAE Alumni Awards. As in previous years, the winner in each category can look forward to great prizes, namely a brand-new iMac and a cash prize of €3.000. This time, we are accepting submissions for the following five award categories: Music Production, Multimedia, Short Film, 3D FX/Animation, and (for the first time ever) "Creativity First". The competition is open to students and graduates of state-run and private educational institutions around the world. For more details, please consult our [www.sae-alumni-award.org]official homepage[/]. The submission deadline is August 31st, 2008.

The 2008 SAE Alumni Awards are presented under the patronage of a committee composed of representatives of the media industry and of SAE Institute. Submitted projects will be reviewed by a panel of industry professionals and representatives of the SAE Alumni Association. The winners will be officially announced during the Awards ceremony at the SAE Alumni Convention Party in Berlin on October 16th, 2008.

To improve the series of Black Hole microphones and provide wider choice for customers, JZ decided to launch the third version of Black Hole with a pad of -5db and -10db options.

The new microphone under the name Black Hole PE (BH-3) has a fixed cardioid polar pattern but after numerous requests from real life engineers as addition here comes a pad with options of -5db and -10db. It is used to avoid overloading mic preamps with high output mic signals such as when recording loud guitar amplifiers or cabinets and kick drums. As capsule of the Black Hole could handle 135db SPL this mic can manage also an operatic soprano at close range. Visually it looks similar to previous two versions (BH-1 - multi pattern, BH-2 - fixed cardiod mic) only it is in dark green color.

Together with the new BH-3, JZ Microphones launches also new shock mount and pop filter system for the microphone Black Hole. The new shock mount which is made more in vintage style based on elastic rubber bands is devised to use on crazy applications where included stand holder is not enough to handle all thunderclaps. The package also includes "revolutionary pop filter, whose curved cone-shaped form in close recording applications reduce blasts and blows more than any other pop filter in the market".

The Black Hole PE has also five year warranty and the retail price of it is $1995 / €1395. The shock mount together with pop filter costs $360 / €240. The BH-3 will be presented at AES show in Amsterdam.

Announced at the latest MusikMesse, Toontrack Music has finally released EZplayer pro, the follow-up to their percussive MIDI engine EZplayer Free.

EZplayer pro is a VST, AU and RTAS plug in for Mac and PC with extended Map Wrapping capabilities between major drum sampler formats in the market. (FXpansion's BFD 1&2, Digidesign's Strike, NIs Battery, EZdrummer and Superior Drummer in addition to others).

The new multi track MIDI clip arranger offers time stretching, editing and multi layer arranging of MIDI files. EZplayer pro also has hardware learn features enabling live triggering of MIDI arrangements. The MIDI content in EZplayer pro is recorded by drummers David "Fingers" Haynes and Per Mikaelsson.

With the release of EZplayer pro Toontrack also starts working more closely with 3rd party MIDI content creators. First out is Groovemonkee that can be easily reached through the help menu in EZplayer pro.

EZplayer Pro is available now for a fee of $49 / €39. Note that EZplayer pro will also be included as the MIDI engine in the upcoming Toontrack sampler Superior Drummer 2.0.

Ableton has just announced that its "light" version of Live 7 is finally available. Built on the same fundamental concepts as Ableton Live, this version offers most of Ableton Live 7's new features. It includes :

- Studio-quality recording up to 32-bit/192 kHz*
- Sixty-four audio tracks and unlimited MIDI tracks per project
- Powerful and creative MIDI sequencing for software instruments
- More than twenty built-in audio effects, including a host of creative delays, filters, distortions, studio compressors and EQs*
- Two software instruments &mash; Simpler for creative sample-based synthesis, and Impulse for dynamic, sampled drums*
- VST and AU effects and instruments support; automatic plug-in delay compensation*
- Real-time time-stretching and warping of AIFF, WAV, Ogg Vorbis, FLAC and MP3 files for DJing and instant remixing
- Real-time tweaking of Live's controls with any MIDI controller — just MIDI-map it or choose from a list of popular supported controllers for instant mapping
- Single-screen user interface for simple, creativity-focused operation
- Multicore and multiprocessor support

*Live LE is limited to two simultaneous stereo audio inputs and outputs, twelve built-in audio effects, eight built-in instruments, two AU/VST effects and two AU/VST instruments per project.

Live 7 LE is available as a download from the Ableton webshop for €129/$149. The boxed version is available in stores and at the Ableton webshop for €169/$199.