PC and Music News

Oli Larkin has released version 2.0 of the Endless Series, which includes the addition of Endless Shifter and Mac OS X VST, AU and RTAS support (via the Pluggo runtime).

The Endless Series are four effect plugins based on an auditory illusion known as "Circular Pitch" or more commonly the "Shepard Tone/Scale" after Roger N. Shepard who discovered it in the 1960s. Shepard showed that using basic additive synthesis it's possible to create the illusion of a continuously rising or descending chromatic scale. The term circular pitch was used because, although the scale sounds as if it is moving in one direction, in fact, after twelve steps it returns to where it started.

Endless Tone can be used to synthesize classic Shepard/Risset tones. It can also be used as a ring modulator either using an internal sine wave or the audio input for the carrier signal. Endless Flanger is a circular pitch (barber-pole) flanger - instead of flanging up and down the frequency spectrum, it appears to continuously flange in one direction. Endless Phaser works in the same way but rather than using delay lines, it uses filters to produce its effect. Endless Shifter provides a further variation by using pitch shifting to impose the illusion of circular pitch on the source material.

The Endless Series cost £15 for the bundle (Endless Tone is actually free) and is available for Windows and Mac OS X in VST, AU and RTAS formats via the Pluggo runtime.

After the release of the long-awaited version 4 of Reason this week, Propellerhead have added video's at YouTube for us to get a closer look at its main new features :

- Thor
- RPG-8
- ReGroove
- New Sequencer

Enjoy ;-)

TC Electronic announces its latest addition to the Konnekt family, Studio Konnekt 48. Konnekt Studio 48 is a pro quality audio interface with IMPACT II preamps and built-in DSP ranging from channel strips and a reverb, to speaker control and bass management. Studio Konnekt 48 ships with a multi-functional remote for mixer control, speaker select and a built-in talkback microphone allowing quick and easy access of parameters.

Features :

Extensive I/O section with IMPACT II preamps

- 4 Impact II mic preamps
- 12 analog inputs, 12 analog outputs simultaneously
- High resolution input meter
- 96 kHz ADAT (8 channels SMUX), word clock and S/PDIF
- 30/28 channels simultaneously to/from DAW
- Digitally controlled analog main XLR outputs
- Dual headphone outs with individual level c ...

Image-Line has just released version 2.0 of the PoiZone synth plugin. This new version features a refreshed interface and is now available as a standalone application, native FL Studio plugin and AudioUnit plugin, in addition to the existing VSTi plugin version.

Features :

- 2 oscillators with adjustable pulse width.
- Noise generator.
- Ring modulation
- Sync modulation
- 16 voice polyphony
- 4 voice UNISON with user-adjustable stereo panning and 'Octaver'.
- 2 ADSR envelope generators. One for traditional envelope duties, the other can be user assigned
- 3 FILTER modes - low pass, band pass and high pass.
- Keyboard and Velocity tracking for the filter
- Multi-mode Arpeggiator
- Noise Gate with an adjustable 16 step pattern. The gate features smoothness control and the ab ...

FXpansion has released just a few screenshots on their official forum... and nothing else except those words :

"BFD2 is more CPU efficient, depending on how you use it. We've added a lot of new features and unfortunately things like component modelled compressors and EQ's do tend to be quite CPU heavy. We are doing everything to make this more acceptable. As a rough guide to CPU usage, on my macbook pro it currently runs at about 15% of CPU with a 32 piece kit, song timeline running in the groove engine, multiple effects in the mixer as well as several concurrent busses running. (which for comparison is about the same as running 30+ tracks in cubase, plus maybe 10 fx)."

No release date for now but we will keep you informed.

A-Designs Audio has released the HM2EQ, a new vacuum tube-equipped EQ better known as the HAMMER. Housed in a 2U metal chassis with an aluminum faceplate and beefy toroidal power transformer under the hood, the HAMMER is a dual mono channel, three band, analog equalizer engineered with an ingenious filtering system that allows the even harmonics to flow through its 12AT Philips tubes filtering out unwanted noise. Each channel features identical controls, including switches for bypass, high cut and low cut, as well as six large aluminum rotaries for the EQ section – knobs for the LF (30/50/100/200/300/400), MF (250/500/1.2k/1.6k/2k) and HF (2.5k/3.5k/5k/7.5k/10k/15k) bands, plus accompanying knobs offering ±13dB of boost/cut for each frequency range. Connections to and from the product are accomplished on the rear panel via a pair of balanced Neutrik XLR input jacks and pair of balanced XLR output jacks.

Available now, the HAMMER carries a US list price of $2,695.00.