MeldaProduction has released MUtility, a free plug-in which provides many elementary actions often useful by every engineer as well as more scientific features.

This consists of volume, panorama, phase inversion, stereo swapping, DC blocker, delay in samples and milliseconds, RMS and envelope, a few mathematical functions, expression evaluator and mono-stereo (de)encoder.

Features :

• Up to 8 channels surround processing.
• Easy-to-use user interface. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard. • Resizable and stylable GUI.
• MIDI controllers with MIDI learn - you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
• Optimized for SSE and SSE2 processors.
• Global preset management - using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs.
• Fully automatable.


The free MUtility plug-in is available now for Mac and PC in VST and AU formats.

Audio Damage today announce the release of Axon, a neuron sequencer coupled with 7 individual FM synths.

Puremagnetik has released Artifact - a Micropak created from digital anomalies and computer malfunctions

Artifact comes packed with things you would normally want to avoid in the studio: digital aliasing, clock glitches, control 'voltage' waveshaping, sysex errors and mis-quantized samples.

The sound designers at Puremagnetik have harnessed these anomalies in a controlled environment and reprogrammed them in a more musical context for Ableton Live 8, Kontakt 3 and Logic 8/9.

Artifact is organized into 6 playable kits complete with macro controls for Ableton Live and a custom Kontakt GUI. In addition, Artifact includes a generous collection of looped MIDI clips*.

Artifact Features

• 6 kits packed with digital malfunctions
• Multi-sampled library with advanced ...

Voxengo LF Max Punch version 1.3 update is now available for download. LF Max Punch is a professional audio effect plugin for music and sounds where low-frequency thump and punch are most welcome, and where distortion is applied specifically to bring the bass sound to life. LF Max Punch is available in AudioUnit and VST plug-in formats, for Mac OS X and Windows computers.


Version 1.3 update implements the following changes:

• Additional visual look variation settings added.
• The "No Multi-Channel Operation" global switch was added that fixes incompatibility with some non-VST2.3 compliant VST hosts.
• The "Show All Channel Meters" routing switch added.

Existing McDSP HD customers have you been thinking about adding to your HD plug-in toolbox ? From now until August 20th, take advantage of McDSP's offer to receive 50% off upgrades to Emerald Pack HD. Ready to see some amazing prices ? Take a look :

• Any 2 Unique HD plug-ins to Emerald Pack HD : $1149 (Regularly $2295)
• Any 3 Unique HD plug-ins to Emerald Pack HD : $1049 (Regularly $2095)
• Any 4 Unique HD plug-ins to Emerald Pack HD : $949 (Regularly $1895)

Emerald Pack HD includes HD versions of Analog Channel, Channel G, Channel G Compact, Chrome Tone, CompressorBank, DE555, FilterBank, FutzBox, MC2000, ML4000, NF575, Revolver and Synthesizer One. The McDSP HD product line supports TDM, RTAS and AudioSuite formats and operates on Pro Tools HD, LE, and M-Powered. Special available only via electronic delivery.

Flux in collaboration with IRCAM have announced the release of the IRCAM Tools product range.

The IRCAM Tools products express the result of over twenty years of fundamental research within the realms of music related digital signal processing. First out, they present a series of products evolved from two major fields of technology, Acoustic & Cognitive Spaces, and Sound Analysis & Synthesis.

Acoustic and Cognitive Spaces
The research and development activity carried out by the Acoustic and Cognitive Spaces Team (formerly Room Acoustics Team) concentrates on the analysis, reproduction and synthesis of spatially considered sound environments. In other words, the localization of sound in space, and the specific acoustical characteristics of a room or of an environment.